こんにちは、土屋です。 |
Hello, Tsuchiya here. It's gotten pretty cold, hasn't it? I hope you're all taking good care of yourselves. Well, today we had the recording for "Ar tonelico 3 drama CD side.Tilia". Finally, we've been able to record a drama CD where the Elemia Trio (Shurelia, Frelia, Tilia) all appear together; the heroines from Ar tonelico 2 and 1 also make their appearances here. There are a bunch of things that are relevant to the world setting in this CD (even if they're fairly light-hearted), and I'm sure that those of you who have been following the series for a while will enjoy a number of the scenes in this CD. The general feel of this drama CD is a little different from the others, and I think it's turned out to be pretty interesting. Of course, there's a lot of lovey-dovey scenes between Aoto and Tilia, so I hope you'll have a listen. |
さて、今回も質問に回答させていただきました。次回の質問も受け付けておりますのでドシドシご応募下さい! といいつつですが、このコーナーは次回で終了予定です。長きにわたり、沢山のご質問ありがとうございました! 次の企画は更に皆さんと交流しながらお話しできる場を目指しています。どれほど実現できるかはわかりませんが、今後も皆さんとの対話を絶やさずにやっていきたいという想いは変わりません。コーナーが変わっても、末永くよろしくお願いします! |
Now, then, I've done my best to answer your questions again this time. We'll be answering questions again for next time, so make sure to send us some! Though, having said that, the next issue will be the last time we run this segment. Thank you for all the questions you've sent us! I hope I'll be able to run another segment where we can communicate as well as we have in this one. I don't know how well it will turn out, but I hope we'll be able to hold a conversation like we have until now. Even if the nature of the segment changes, I hope you'll continue to follow our writings! |
SHサーバーのレーヴァテイル登録限界って決まっているの? |
There's a limit for how many Reyvateils can be registered in the SH Server? |
メモリにも容量が有るように、登録には限界があります。 |
Since the memory has a certain capacity, there's a limit for the number of Reyvateils that can be registered. |
アルシエルの昔の詩や昔話に関してなのですが、編纂室【第4回】にて『謳う丘 -Harmonics EOLIA-』が「その地方に伝わる誰もが良く知る詩」の一例として描いているとありましたが、『謳う丘 ~Ar=Ciel Ar=Dor~』や『シャラノワールの森』、謳う丘のティリアやフレリアなども「その地方に伝わる誰もが良く知る詩」としてあるのでしょうか? |
I have a question about the ancient songs and legends of Ar Ciel. In the 4th issue of this same column, you told us that [Singing Hill ~Harmonics EOLIA~] was an example of [a song that everyone in that region would know pretty well], so songs like [Singing Hill ~Ar=Ciel Ar=Dor], [The Forest of Shelanoir], or Frelia's and Tilia's version of Singing Hill are also [songs that everyone in their respective regions would know]? |
まず補足ですが、『謳う丘 -Harmonics EOLIA-』が「その地方に伝わる誰もが良く知る詩」の一例として扱っている、というのは、謳う丘EOLIAそのものが伝承詩として伝わっているわけではなく、Aメロ、Bメロなどのメロディが際立っている部分を伝承詩として設定している(簡単に言えば、謳う丘EOLIAは作中伝承詩を一部取り入れた楽曲として創っている)という形になっています。 |
First, I'll add something to that explanation: while we're treating [Singing Hill ~Harmonics EOLIA~] as an example of [a song that everyone in that region would know pretty well], that doesn't mean that the entire song of Singing Hill EOLIA itself is a folcloric song handed down in that area. The conspicuous parts of the melody, such as Melody A and Melody B were the ones we created as a folcloric song (to put it simply, Singing Hill EOLIA was created as if it was an expansion of a folcloric song from the game's world). |
前回の第七回でティリアのクラスタ式表記だけ文字化けしている様なのですが、今一度お教えいただけないでしょうか? |
In the previous issue, it seems that the Cluster-style name for Tilia got corrupted, so could you please write it once again? |
第一水準漢字ではない為に、WEBブラウザでは表示できないようです。説明すると、「森」は木が3つで構成されていますが、これの「水」版です。水という字が下に2つ、上に1つという形の漢字です。音読みは「ビョウ」、訓読みは、「はる・か」、「ひろ・い」です。 |
That was because one of the kanjis used is a nonstandard one, so the web browsers couldn't display it. To explain it, you know how the kanji for forest (森) is formed by three kanjis for tree (木), right? Well, the missing kanji is the water (水) version of that: it has two small water kanjis at the bottom, and a large one in top. The on-yomi for it is [BYOU], while the kun-yomi are [haru-ka] and [hiro-i]. |
EXA_PICOの奏でる波動についてですが、2の設定資料集だとR波N波Tz波D波V波Vx波K波H波S波とありますが、CD『謳う丘~Ar=Ciel Ar=Dor』 初回特典本のクリューエの記述で、EXA_PICOの奏でる波動には存在しない『U波』という物が出てきますが、これはどういった事なのでしょうか? |
In the Settei Book for Ar tonelico 2, we were told that the waves played by EXA_PICO were the R, N, Tz, D, V, Vx, K, H and S-Waves, but in the booklet that came with the first press of the CD [Singing Hill ~Ar=Ciel Ar=Dor], Clyuue was described as a being created by [U-Waves], which weren't among the ones mentioned previously. Why does this happen? And if possible, could you please mention and explain the names for the R, N, Tz, D, V, Vx, K, H and S-Waves? |
2の設定資料集は、EXA_PICOの奏でる波動のごくごくごくごく…一部の波動しか掲載しておりません。実際EXA_PICOは数え切れないほどの種類の波動を発しています。そのうちの20強の波動によって惑星が形成され、その中の7つの波動によって人間は形成されているのです。 |
When we wrote the Ar tonelico 2 Settei Book, we only mentioned an extremely, extremely, extremely... small part of the waves played by EXA_PICO. In reality, EXA_PICO emits a countless number of wave types. Among them, the 20 strongest ones are the ones that create planets, while only seven of these are the ones that give shape to the humans. |
レーヴァテイルは女性だけなので、ヒュムノスを謳うことが出来るのも女性だけという事ですが、 |
Reyvateils are female-only, and thus only women would be able of singing Hymmnos, but in the case of songs crafted by the Wills of the Planet like Ec Tisia, which are [songs that aren't Hymmnos but still have powers], would male Gods like Nayudara or Koudeinomikoto be able of singing them by themselves? |
神々は特に女性形でなければ謳えないというわけではありません。 |
Even if there weren't any female deities, it wouldn't be impossible for them to sing the song. |
1.半神は人間と惑星の意志を仲介する役目があるとの事ですが、惑星との対話を目的に生まれたティリアはいわば人工の半神と呼べる存在なのですか? |
1) Since the Demigods had the role of serving as intermediaries between the humans and the Wills of the Planet, could we consider Tilia as an artificial Demigoddess of sort, since she was created with the goal of conversing with the Planet? |
1ですが、なるほど確かにそういう見方も出来ますね。ただ、半神というのは若干人間より能力は秀でていますが、それがどこなのか、そしてどんな特殊能力が使えるのかは半神によります。 |
1) Yes, we could consider her in that way, too. However, if Demigods would have any abilities that would surpass that of most humans, what kind of abilities, and how they would use them, that would be entirely dependant on themselves. |
いつもこのコーナーを楽しみにしております。今回の質問は |
I've always looked forward to this corner. Here are my questions for this issue: |
1)ですが、正直に申し上げますと、アルトネリコ1のオープニングだけは、後の作品にあるような「コンセプトアート」的な要素はありません。1の開発当時は寧ろ、いわゆるアニメのOP系でコンテを切っており、2,3とはそのスタンスが違います。蛇足ですが、アニメ制作会社や監督さんも「1」と「2,3」では異なります。 |
1) Speaking honestly, Ar tonelico 1's opening was the only one for which we didn't have anything like a [concept art]. During 1's development, we decided it would be best to cut off any anime-styled OPs, which is why its staff differs from that of 2 and 3. It may be redundant to say this, but the producer and supervisors for the anime parts differ between [1], and [2 and 3]. |
前々回の回答ありがとうございました。 |
Thank you for answering all the questions over and over again. |
1ですが、通常の人間と同じように処理されます。ただし代謝は擬似的なものですので、栄養分の吸収などは行われません。 |
1) It'd be processed in the same way as in normal humans. However, they actually have a fake metabolism, since their bodies are unable of absorbing nutrients. |
毎回質問回答お疲れ様です |
1) Cloche (Reika)'s birthday was obscured off in the game, so could you tell us in which day is falls (instead of in which moon waxing it does)? |
1ですが、厳密な設定はありません。誕生月だけは「蒼痲の宮(10月)」と設定しております。 |
1) We haven't fully decided it. The only thing we decided was her birth month: [Soumanomiya (October)]. |
2での調合では、サポートするヒロインが違うと別のものが出来ました。 |
In 2's synthesis system, all of the supporting Heroines ended making different things from the same recipes. |
1ですが、これはどちらかと言えば「ゲームシステム仕様」として、ヒロインのサポートという形で設定しています。アルトネリコシリーズでは「ヒロイン」にスポットを当てる事によって、よりリアリティのある、生きたヒロインを創出するという事を大切にしています。毎回ゲームシステムはそのコンセプトに沿ったものを設計しておりまして、調合なども同様です。 |
1) This falls under [Game Systems], and we set it so only the Heroines would be able to help in the synthesis process. After all, when we gave the [Heroine] spot to a character, we took special care to make them into realistic, living characters. That is the concept that permeates everything in the design of all the systems in the games of the series, and of course, synthesis is included among them. |
レーヴァテイルの歌魔法強化の手段に、第一塔はインストール(インストールポイントにグラスノを直接差し込む)、第二塔ではデュアルストール(お風呂)、第3塔ではコスモスフィアで得たヒューマのプログラムとなっていますが、これらは所属塔の違うレーヴァテイルでも出来るのでしょうか? |
Among the ways that Reyvateils have for strengthening their Song Magic, we have Installs (directly inserting Grathnodes in the Install Port) in the First Tower, Dualstalls (bathing) in the Second Tower, and Programming Hymmas gained from the Cosmospheres in the Third Tower, but would Reyvateils be able of using methods different from the one used at the Tower in which they are connected? |
グラスノ結晶のインストール方式、デュアリスノ結晶の波動荷浸透方式は、どの塔のレーヴァテイルにも適用されますので互換性があります。ヒューマによる強化は、ゲームシステム的にはインストールなどと同じくくりに入りますが、世界観的にはアルトネリコ1,2などの「ヒロインの妄想が生み出した詩魔法キャラ」の第三塔版、というくくりになります。結論から言えば、ヒューマのシステムは第三塔でのみ可能です。 |
The Grathnode Crystal Install method and the Wave Payload Osmosis method from the Dualithnode Crystals can be used by any Reyvateil, no matter to which Tower they are connected. As for the strengthening through Hymmas, while from a game system standpoint it was added to the game in a way similar to Installs and such, from the setting standpoint it's the Third Tower version of the [Song Magic characters created from the fantasies of the Heroines] we presented in Ar tonelico 1 and 2. In other words, the Hymma System is exclusive to the Third Tower. |
お疲れ様です。 |
Thank you for all your hard work. |
1ですが、ココナが焦るくらいの力量の持ち主である事は間違い有りません。詩魔法は詠唱速度の遅さが弱点なのですが、シュクレはわざと最初瞬間的に弱い威力の衝撃波を出し、相手がひるんでいるうちに次の少し強い攻撃を繰り出し、その間に更に強い詩魔法を詠唱する、という戦い方を得意としています。それ故に、隙が生まれにくくなっています。 |
1) It's unmistakable that Cocona has quite a physical strength and speed. While Song Magic's greatest weakness is the long time it requires to be sung, Shukure's technique is to begin by immediately summoning a weak shockwave to make the opponents flinch, and then begin assaulting them with progressively stronger attacks, which will allow her to finally sing a much stronger Song Magic, which is what has allowed her to win all her battles. That's why she hates leaving spaces between attacks. |
ヒュムノスミュージカル ココナの発売おめでとうございます。 |
Congratulations on the release of Hymmnos Musical Cocona. |
想いとしてはだいたい仰るとおりです。ただ、この「awe-nu-dola」というのは「ファンクションによって定義された、この詩の中だけで通用する単語」です。詳細はこちらの「ファンクション」の項目をご覧下さい。 |
I agree with you that they really seem like emotion definers. However, this [awe-nu-dola] phrase is actually a [a word defined by a Function, which can only be used inside this Song]. For more details, please read the "Function" entry over here. |
EXEC_HAIBANATION/.について質問です。 |
I have some questions about EXEC_HIBERNATION/. |
そもそもハイバネーションによって、フレリアの精神体移行は行われません。若干混同されているかもしれませんので整理しますと、ハイバネーションによって「I.P.D.の精神体は消去され」「人間の精神体はインフェルピラに格納される」という感じです。 |
To begin with, Frelia's mind wasn't transmigrated due to Hibernation. You seem to have a few confusions about it, but we'll take care of them now: Hibernation's effects are [deleting the minds of the IPDs] and [storing the souls of the people inside Infel Phira]. |
1)3のエンディングでアルルが謳っているシーンがありますが、ティリアとアルルは自由に融合と分離を行うことができるのでしょうか。 |
1) In 3's ending, there's a scene in which Arru is singing, but does this mean that she could freely cancel the fusion that existed between her and Tilia? |
1ですが、エンディングで謳っている段階でアルルはティリアから抜け出ています。惑星の意志として還っているという設定になっております。 |
1) At the time in which she appears singing in the endings, Arru has already separated herself from Tilia. She had decided to return to her role of being a Will of the Planet. |